She saw that his boots were all clayey, even his trousers were plastered with clay. And she wondered if he had made footprints all the way up. He was a very strange figure, standing in her bedroom, near the tossed bed.

‘Why have you come?’ she asked, almost querulous.

‘I wanted to,’ he replied.

And this she could see from his face. It was fate.

‘You are so muddy,’ she said, in distaste, but gently.

He looked down at his feet.

‘I was walking in the dark,’ he replied. But he felt vividly elated. There was a pause. He stood on one side of the tumbled bed, she on the other. He did not even take his cap from his brows.

‘And what do you want of me,’ she challenged.

He looked aside, and did not answer. Save for the extreme beauty and mystic attractiveness of this distinct, strange face, she would have sent him away. But his face was too wonderful and undiscovered to her. It fascinated her with the fascination of pure beauty, cast a spell on her, like nostalgia, an ache.

‘What do you want of me?’ she repeated in an estranged voice.

He pulled off his cap, in a movement of dream–liberation, and went across to her. But he could not touch her, because she stood barefoot in her night–dress, and he was muddy and damp. Her eyes, wide and large and wondering, watched watched him, and asked him the ultimate question.

‘I came—because I must,’ he said. ‘Why do you ask?’

She looked at him in doubt and wonder.

‘I must ask,’ she said.

He shook his head slightly.

‘There is no answer,’ he replied, with strange vacancy.

There was about him a curious, and almost godlike air of simplicity and native directness. He reminded her of an apparition, the young Hermes.

‘But why did you come to me?’ she persisted.

‘Because—it has to be so. If there weren’t you in the world, then I shouldn’t be in the world, either.’

She stood looking at him, with large, wide, wondering, stricken eyes. His eyes were looking steadily into hers all the time, and he seemed fixed in an odd supernatural steadfastness. She sighed. She was lost now. She had no choice.

‘Won’t you take off your boots,’ she said. ‘They must be wet.’

He dropped his cap on a chair, unbuttoned his overcoat, lifting up his chin to unfasten the throat buttons. His short, keen hair was ruffled. He was so beautifully blond, like wheat. He pulled off his overcoat.

Quickly he pulled off his jacket, pulled loose his black tie, and was unfastening his studs, which were headed each with a pearl. She listened, watching, hoping no one would hear the starched linen crackle. It seemed to snap like pistol shots.

He had come for vindication. She let him hold her in his arms, clasp her close against him. He found in her an infinite relief. Into her he poured all his pent–up darkness and corrosive death, and he was whole again. It was wonderful, marvellous, it was a miracle. This was the everrecurrent miracle of his life, at the knowledge of which he was lost in an ecstasy of relief and wonder. And she, subject, received him as a vessel filled with his bitter potion of death. She had no power at this crisis to resist. The terrible frictional violence of death filled her, and she received it in an ecstasy of subjection, in throes of acute, violent sensation.

“Don’t imagine that I intended to kill him in cold blood. It would only have been rigid justice if I had done so, but I could not bring myself to do it. I had long determined that he should have a show for his life if he chose to take advantage of it. Among the many billets which I have filled in America during my wandering life, I was once janitor and sweeper-out of the laboratory at York College. One day the professor was lecturing on poisons, and he showed his students some alkaloid, as he called it, which he had extracted from some South American arrow poison, and which was so powerful that the least grain meant instant death. I spotted the bottle in which this preparation was kept, and when they were all gone, I helped myself to a little of it. I was a fairly good dispenser, so I worked this alkaloid into small, soluble pills, and each pill I put in a box with a similar pill made without the poison. I determined at the time that when I had my chance my gentlemen should each have a draw out of one of these boxes, while I ate the pill that remained. It would be quite as deadly and a good deal less noisy than firing across a handkerchief. From that day I had always my pill boxes about with me. and the time had now come when I was to use them.

“It was nearer one than twelve, and a wild, bleak night, blowing hard and raining in torrents. Dismal as it was outside. I was glad within — so glad that I could have shouted out from pure exultation. If any of you gentlemen have ever pined for a thing, and longed for it during twenty long years, and then suddenly found it within your reach, you would understand my feelings. I lit a cigar, and puffed at it to steady my nerves, but my hands were trembling and my temples throbbing with excitement. As I drove, I could see old John Ferrier and sweet Lucy looking at me out of the darkness and smiling at me, just as plain as I see you all in this room. All the way they were ahead of me, one on each side of the horse until I pulled up at the house in the Brixton Road.

“There was not a soul to be seen, nor a sound to be heard, except the dripping of the rain. When I looked in at the window, I found Drebber all huddled together in a drunken sleep. I shook him by the arm, ‘It’s time to get out.’ I said.

“‘All right, cabby.’ said he.

“I suppose he thought we had come to the hotel that he had mentioned, for he got out without another word, and followed me down the garden. I had to walk beside him to keep him steady, for he was still a little top-heavy. When we came to the door, I opened it and led him into the front room. I give you my word that all the way, the father and the daughter were walking in front of us.

“‘It’s infernally dark,’ said he, stamping about.

“‘We’ll soon have a light,’ I said, striking a match and putting it to a wax candle which I had brought with me. ‘Now, Enoch Drebber,’ I continued, turning to him, and holding the light to my own face, ‘who am l?’